Review: 'To Leslie' closely depicts the life and struggles of fallible people
'To Leslie' stars Andrea Riseborough, Allison Janney, Marc Maron, Owen Teague and more
To Leslie revolves around the story of a single mother and her struggles to provide for her son. Her life takes a turn when she wins a lottery and see a possibility of a good life, but destiny has a different plan for her
The moving story of redemption in To Leslie might be emotionally taxing to see. This compelling story is comparable to Nomadland, the 2021 Best Picture Academy Award winner for Best Picture.
Leslie (played by Andrea Riseborough) blows through her whole $190,000 lottery winnings and starts on a mission to rebuild her life, much like the lead character in Nomadland, who loses everything during the 2008 recession and sets out on a transforming trip.
This intense movie is elevated by Riseborough's dominating performance, which radiates an honest and genuine mood. Michael Morris, the director, expertly depicts the essence of a distinctive American society in which people are closely connected but slightly removed from the mainstream.
The exceptional and enthralling performance by Riseborough makes the independent film To Leslie stand out.
The storyline in the screenplay, which was written by Ryan Binaco and allegedly based on the life of his mother, is uncomplicated. This depressing movie explores the dark themes of alcoholism, homelessness, remorse, and loneliness while depicting Leslie's hardships with unflinching honesty.
This movie stands out for its accurate depiction of characters as fallible people. The dark tone of the movie and its emphasis on Leslie's struggles make for an emotional and sincere viewing experience.
The Western Texas-based drama "To Leslie" depicts the tale of a lady battling her inner problems after blowing a sizable lottery jackpot. She visits her diligent construction worker son James (Owen Teague), who is her only child, in order to find comfort as she struggles with poverty and is on the verge of breakdown.
James, however, establishes tight guidelines, specifically prohibiting the usage of alcohol in his home. James is forced to send his mother to reside with Nancy, her sister, after Leslie breaks this fundamental rule.
Leslie regrettably makes the same error again, which results in her being evicted from her sister's house. Leslie (Andre Roya) is desperate and at a crossroads when she meets Sweeney (Marc Maron) and Royal (Andre Roya), the proprietors of a motel close to the highway.
Leslie's journey experiences a transformational change as a result of their odd friendship, taking her down unexplored avenues.
Forth a role that is repugnant from the first, Andrea Riseborough turns forth a remarkable performance. Her character is without any redeeming features and is a persistent victim of alcoholism.
She fails to appreciate people who try to help her, even as she falls deeper into the pit of her life, with coarse mannerisms and a complete lack of thanks and humility. Riseborough's outstanding performance shows a dramatic psychological and physical metamorphosis, giving the picture a genuine and realistic feel.
Sweeney is a character who lends a helpful hand to Leslie despite being aware of her insensitivity, and Marc Maron gives an engaging performance as Sweeney.
In the movie, Sweeney acts as an oasis, giving spectators a sense of calm amidst the mayhem. With this picture, director Michael Morris makes a significant debut, showcasing his prodigious skill and inspiring people to see his future work.
In addition, Allison Janey (as Nancy) is another standout actor in the movie, but sadly, she only has a minor or at most insignificant role.
While this movie may not have a fully innovative concept or lead character, its frank screenplay, compelling story, and superb acting nonetheless manage to completely captivate audiences.
While the truth shown in this moving drama may not elevate your spirits, the movie's ending unquestionably stands out as a triumphant moment. Get ready for a profoundly depressing tale that will stay with you long after the film has ended.